The phasing flanging and fuzz tones that david gilmour used were very very cool.
Keeley dark side of the moon pedal.
The fuzz side of the dark side is a big fuzz style distortion based on a 1977 op amp style.
Fantastic pedal great overall for 70s tone the keeley dark side is amazing it gets david gilmour tones pretty spot on if you add a boost pedal reverb compressor pedal and another tape delay because you can t use the delay at the same time at the modulations you can get pretty much all of his tones.
There s not a ton of effects pedal sounds but the sounds are so profound that it kind of set the stage for anything after it 10.
The fuzz side of the dark side is a big fuzz style distortion based on a 1977 op amp style.
The dark side has two sections fuzz and modulation delay.
What are your favourite effects pedal moments to be heard on record and why.
The dark side is the second in a new line of artist inspired pedals.
We used something similar in our psi fuzz.
Dark side of the moon is top of the list.
The dark side provides all the textures that define an essence in one pedal.
The individual pieces that make up the dark side workstation are fuzz delay and modulation.
The individual pieces that make up the dark side workstation analog multi effects pedal are fuzz delay and modulation.
The dark side provides all the textures that define an essence in one pedal.